HAMMERSCHMIDT’S ‘FREUET EUCH, IHR CHRISTEN’

MENDELSSOHN’S ‘RICHTE MICH, GOTT’
18 May 2022
JOE TWIST’S ‘JUBILATE DEO’
20 May 2022
MENDELSSOHN’S ‘RICHTE MICH, GOTT’
18 May 2022
JOE TWIST’S ‘JUBILATE DEO’
20 May 2022
 

HAMMERSCHMIDT'S 'FREUET EUCH, IHR CHRISTEN ALLE'

Andreas Hammerschmidt: Freuet euch, ihr Christen alle

Andreas Hammerschdmidt is not very famous today but he was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. This work is a motet for the Christmas season, and is easily one of Hammerschmidt's most well-known pieces today.

Hammerschdmidt was born at Brüx, a small Protestant community in Bohemia. Brüx now forms part of the modern-day Czech Republic, and is generally now known as Most. After the region of Bohemia turned Catholic during the Thirty Years' War, Hammerschdmidt's family had to flee Bohemia and they settled in Freiberg in the Saxony region of Germany. It is in Freiberg that a young Andreas likely commenced his musical education.

Hammerschmidt wrote in the genres of the motet, concerto and aria, and almost all of his output is sacred vocal music. Despite being relatively unknown to modern audiences, some 400 works by Hammerschmidt have survived to this day and he is widely considered as part the second generation of composers (following the great Heinrich Schütz) who crafted a distinctly German approach to musical forms and styles that came from Italy.

Curiously, although Hammerschmidt also worked as an organist for the majority of his life, no keyboard music of his has been re-discovered so far.

 
Why perform this piece?

In a word, it is extremely exciting! As Hammerschmidt's music and compositional style led to the development of the later German church cantata, it provides an interesting counterpoint to and historical context for the music of another great German composer, Johann Sebastian Bach (whose music we are also performing as part of our 'Sing Joyfully' concerts). Our singers have enjoyed putting this piece together and singing in German very much.

 
 

What am I listening for?

This work features a refrain sung by the chorus, which alternates with a trio of soloists - two tenors and a bass. Sometimes they sing together, and sometimes they operate separately, but the chorus often imitates the soloists. At one point the textures pile up to create a very exciting atmosphere of "duelling" that's almost battle-like. As it's name suggests, the continuo organ plays throughout and underpins the whole texture.

 
What does it sound like?

The tone of this piece is simply ecstatic and there are a lot of 'Hallelujas!' in both the opening section and at the end. Take a moment to look over the German text and English translation below, and you can also listen to a great recording of this piece before either of our ‘Sing Joyfully’ concerts below.

 
 
 

Sing Joyfully Concert Details

Saturday 19th August at Sacred Heart Cathedral Bendigo | Sunday 20th August at St. Patrick's Cathedral Melbourne

Also live-streamed on the Australian Digital Concert Hall platform. World-wide digital access, including 72-hour delayed viewing.

 

To learn more about the exciting concerts and events planned for 2023,
please see www.australianboyschoir.com.au/concerts

 

 

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