We received a coveted four-star review from Limelight Magazine's Tony Way following our recent all-Australian program at Hawthorn Arts Centre featuring music by Iain Grandage, Clare Maclean, Matthew Orlovich and Timothy Mallis. Click below to read the full review.
"This was a courageous program showing deep thought about the choir, its history and future, and its place in contemporary Australia."
We were pleased to have Peter Hurley of Classic Melbourne in the audience at our recent 'Australian Sounds' concert, and were delighted to read his review.
The Avalanches and Australian Boys Choir spent time recording in November 2019. The Avalanches new single 'We Will Always Love You', has just released to rave reviews, hear it for yourself.
Read more about what our Artistic Director Nick Dinopoulos and Senior Singer Ryland Mitchell had to tell The New Daily about rehearsing via Zoom during coronavirus pandemic.
Ahead of the Australian Boys Choir and The Vocal Consort's performance of Requiem for an Empress, we were delighted to receive a write up by the Ballarat Courier to promote the event. Take a moment to read the article and listen to the program highlights.
We received a wonderful review from Bronislaw Sozanski in the Ballarat Courier following our recent performance of 'Requiem for an Empress' at St. Patrick's Cathedral on Saturday the 15th of May. The performance featured the Australian Boys Choir, The Vocal Consort, Nicholas Dinopoulos and guest Simon Rickard.
Read the review here.
Sunday 19 June at 3:00pm Auburn Uniting Church, Hawthorn
Join the Training Choirs of the ABCI as they pack the station wagon and set off on an entirely all-Australian musical road trip!
Limited seats available.
Sunday 7 August at 3:00pm St. John's Church, Camberwell
Continuing the musical travels of their 2022 season, the Australian Boys Choir joins with The Vocal Consort in this concert of spellbinding repertoire by leading Antipodean composers.
Click here to book.
Mozart wrote this charming work in 1775 or 1775 for in Salzburg while he was employed as a court musician in Salzburg. His works during this period show a verve and enthusiasm, and also often his tremendous sense of humour. The 'Spatzenmesse' (or 'Sparrow Mass') is no exception. Discover more here.